Tuesday, February 27, 2018

How to Write Newspaper Editorials, and Journalism is What?

How to Write Newspaper Editorials
Jacob Malewitz

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A newspaper editorial, unlike other forms of newspaper writing, allows you to go into the first person and give your opinion. There is an editorial section in every major newspaper, including "The New York Times.” Writing newspaper editorials requires a writer to follow a few basic steps.

Get to know the paper and its readers. Writing for a college newspaper is far different than writing for a major newspaper that has tens of thousands of subscribers. Before you begin the editorial, get to know your audience. Ask other writers what these readers are interested in. For example, a first newspaper editorial for a college newspaper might be done on Internet file sharing, which is a topic popular with that age group.

Write a feature article first. Before you even write an editorial, get a good understanding of feature articles. If you are beginning as a writer, then you will have to publish many feature articles before an opinion can be offered (in most newspapers). This helps you prove to the newspaper staff that you have the writing chops.

Try to get a job working for the newspaper. The majority of the time, people on staff of newspapers write the editorials.

Ask editors if they accept submissions. You can still try to publish an editorial in a newspaper even if you are a beginning writer. All you need to do is ask.

Brainstorm valid points before you are ready to begin writing your editorial. Just like a school essay, an editorial contains valid points of the topic. It's about more than just writing about a popular topic, however; you need to offer both sides. For example, if you write a piece on Internet file sharing (basically getting things like free music), then just offering your opinion isn’t enough. Cover both sides of this issue--for example, talk about the common people downloading music, the artists losing money and the executives who profit most from the music.

Offer the editorial as opinion. Even if you bring in both sides, this is still your opinion. This means you can come to a conclusion based on what you think. Don’t say, “This is my opinion,” because that will hurt the credibility of the story. Just state your point, remembering that some might disagree with you.

Final Tip
A lead, or introduction, is less crucial in editorials than in feature articles. A good strategy is to just write the editorial and then figure out the best point you made. Lead with that.

You can make money as a staff writer, editor, or freelancer with editorials. Opinion pages pay $75 to $150, which is not that much, but remember: opinion can be easier to write.

A Career In Journalism
By Jacob Malewitz

Many top writers started their careers in the field of journalism. Ernest Hemingway worked his way into print first as a newspaper writer. Mark Twain wrote stories of local color for a long time,  pieces that were apt to amuse, and did it all before working on his masterpiece “Huckleberry Fin.” Even more modern writers like Richard Yates and Stephen King, whom should never be mentioned in the same sentence, first started out writing for their school papers. It never amounted for the career for these writers: Hemingway and the others became novelists, short story writers, and, in Twain’s case, travel writers as well. Making a career in journalism is less a road to choose and more an endeavor that happens upon many writers. To make a career in journalism little is needed except for the basic idea of what is news and what is opinion, how to write simply, and a workable way of forming sentences.

We all have opinions, and making a career in journalism is about finding these thoughts. Most people watch or read the news often, and this can lead into knowledge on what qualifites as a quality news story. I once made the mistake of pointing out how the people at the event looked, what the music sounded like to me, and forgot this was all opinion. Quickly my editor put enough red ink on my page to fill a condensed book, and I learned that good journalism usually amounts to being careful about what we say. A career can be made in just telling the facts, and expressing our opinions, and sometimes even both.

Hemingway is noted for being one of the better writers in creating the perfect sentence. The likely reason for this is his ability to condense a sentence or story to what it really needs to be. The iceberg theory, devised by Hemingway, pointed out that just about anything can be taken from the story—and it will still work. The same can sometimes be said of journalism as long as the story is simple. A journalist’s job is to decide which parts to leave in, the ones to add to, and the points that can be taken out because of the iceberg theory. An opinion column is common in many papers, and here is where journalists have the most freedom. The story can be far from simple as long as long as most readers can understand the core of it. If you were to write on a rare book that maybe five hundred people read, you would make the choice to incorporate just enough details to be understandable.

What is a workable way of forming a sentence? There are plenty of tricks to note, and the foremost would be that it does not have to be a masterpiece. If you pick up your local paper you will understand how easy it can be to create a clear sentence. Do not try to pretend the newspaper is “The New Yorker”; this is a mistake I often made early in my career. Journalism is not about making grand statements, but more on telling the news in a clear way. If you can write a workable sentence you can make a career in journalism.

The difference between opinion and fact is important, as is simple writing and forming sentences, but left out here is the fact journalism is about storytelling. It can be done in a way so far different from fiction that readers will not notice our choice of wording, or close enough to fiction that  we just have too much fun building the story. In the end it can be about all these things or none of them, but that’s a start to a journey of discovery.




At The Crossroads, or izod plains in two, by Jacob Malewitz

At the Crossroads
By Jacob Malewitz
by Dark Alliances
Abercrombie and Finch, who are you?

The light was golden and had an array of various colors to real to be a vision, to distinct to be a dream. I thought it was Ra again, or the demon within me that pretended to be Ra. If he was acting, then, he was very good with the details. Everything about him was ancient Egyptian, from the eyes to the lips to the tall hat and the braided beard. His eyes were what I noticed, that red glare in them, shaped differently than a man’s, more oval. Yet none of that mattered after he spoke. “You will die.” He stepped forward, floating on some golden sphere. We were at the clouds, and I could see sparks of lightning—it was Earth—but I didn’t care; I was angry.
“Who are you to say who lives and who dies?”
He didn’t answer. He wasn’t real. I yelled at him more, telling him as many curses and saying I’d been drinking too much the night before—and that was the only reason I had seen him.
I smoked. I drank.
The night before was a mirage of lighting and images of woman and bar stools and full ashtrays. Something had to be wrong in my system. I wanted to end the pain, yet every day I worked on making my pain greater.




Sunday, February 25, 2018

5 Reasons to Write Science Fiction


5 Reasons to Write Science Fiction
by Jacob Malewitz
by Dark Alliances and Abercrombie and Finch
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Why write science fiction? That is a thought many have, looking at the classics of Isaac Asimov or Heinlein perhaps, or the thousands of other writers in the past century and beyond. How do they write science fiction? And why, with rates of sales going down and rates per word falling as well—are they still writing them? First comes the joy of massive world building, then you’ve got the grand big epic, then the massive science fiction community, the interest from Hollywood, and the idea that science fiction writers are somehow different from the rest of us.
What? Let me explain.

1 – The purpose of science fiction, rather than fantasy, is to show “What could happen.” This is world building down to a minute science, because often these worlds could be real. In fact, with only a few billion galaxies out there with infinitely more worlds, there is a better chance of the world existing than you might guess. Back to the point, world building is a core reason to create science fiction, because it shines a light on things we will likely be doing at some point in the next millennia or two: finding new homes. It happens in Star Trek and Star Wars, Babylon 5 and Battlestar Galactica. Then you’ve got the …

2 – Big Epic is often the reason to entice writers to the pages of speculative fiction. It also might scare writers away; the idea of writing ten books in a row. It happened with the classic “Dune” series of novels, and many others. You get to create an entire galaxy! What’s more enjoyable than that?

3 – The science fiction community takes in lots of science fiction, making it a prime market for writers not just of novels but with new ideas on films and comics. However, this isn’t to say science fiction is the field to make the big bucks. How many millionaire science fiction novelists do you know? Even the greats, like Philip K. Dick, had to work for decades before big money came their way. But, the point is there is a large enough community of fans to make it far more than a waste of time. The community is across the world, buying not only books but films and TV series. Speaking of films …

4 – Some of the best films were in some way influenced by science fiction, and sometimes directly related. For example, many Top 100 film llsts include “Blade Runner,” based on a Philip K. Dick story, “Do Androids Dream of Electric Sheep?” Dick was successful in his lifetime, but his work has been turned into a gold mine by Hollywood after his death, with countless other films. Don’t forget TV either, where we have Star Trek and one of the better TV series of the past decade, Battlestar Galactica. This all means writing science fiction is still quite in vogue for all forms of writers.

5 – You’re different if you write science fiction. You may not care much about money. You may like creating entirely original aliens, or alien worlds, or alien killers. There is quite a collection of science fiction writers out there. If you write science fiction and continue to write it, you likely know you’re not only different, but you can come up with 100 reasons to write science fiction.